Bruno Munari Libro illeggibile
Mantua, Italy: Corraini Ediozoni, 1984
32 pp., 10.0 x 10.0 cm.
Edition of 1000 copies, 100 of which were signed and numbered
Now in it's seventh edition, this 1984 title is from a series of “libri illeggibili” (unreadable books) which date back to 1949. The text-free series emphasizes playful formalism: the colour of the pages, the cuts and their successions. There are no title pages or colophon.
Available from the publisher, here, for only 5.00 €.
Imprint93, an archive exhibition of Mattew Higgs' stellar mail art publishing venture opens tomorrow evening at Printed Matter, from six to eight pm.
Artist, writer and current Director of White Columns, Higgs published and disseminated over fifty works under the banner of Imprint93, between the years 1993 and 1998. Higgs invited artists to create works of art that could fit inside an envelope to be distributed, unsolicited, by mail to an informal group of friends, artists, and curators. Mostly printed on an office photocopier, Higgs self-financed the production and mailing costs.
The artists involved were often at the beginnings of their careers, working on the periphery of the then emerging 'YBA' movement. Their subsequent success speaks to Higgs' keen eye and knowledge of the scene. The exhibition features the work of Fiona Banner, Martin Creed, Jeremy Deller, Peter Doig, Ceal Floyer, Alan Kane, Hilary Lloyd, Paul Noble, Chris Ofili, Elizabeth Peyton, Bob and Roberta Smith, Jessica Voorsanger and Stephen Willats, and many others. Highlights include Martin Creed’s Work no. 88 (1994) - a crumpled ball of A4 paper that the Tate Gallery returned flattened inside an envelope, 'rejected' as an unsolicited donation.
Originating at the Whitechapel Gallery in 2016, this presentation marks the first North American showing of the project in its entirety, including many rarely-seen works and related ephemera.
Accompanying the exhibition are reissues of editions by Jeremy Deller, Peter Doig, and Martin Creed (signed and numbered, edition of 50 each), as as well as a second printing of Elizabeth Peyton's Untitled Imprint contribution, a zine featuring video stills of Kurt Cobain performing in 1993.
Dave Dyment A Dollar and Two Crowns
Toronto, Canada: Self-published, 2018
12 x 14.5"
Edition of 5 signed and numbered copies
In addition to a large light box version (24 x 40 x 24 inches), A Dollar and Two Crowns is available as a boxed collection of thirteen images printed on thick plexiglass, with a hand-painted cover. The work consists of X-rays featuring instances of ingested currency and lost teeth: five pennies, two nickels, a dime, three quarters and two crowns.
"The one exception in the exhibition has nothing to do with other artists' art but it is also based on found material. The series of x-ray images that make up A Dollar and Two Crowns are taken from images of the insides of individuals who have swallowed coins and teeth. The alien elements literally become part of the person. When they are viewed, they are seen as solid white shapes within the murky blur of our bodies. Their presence is undeniable. The person will pass away; what will remain is the art. "
Cosima von Bonin Color Wheel
Zurich, Switzerland: Parkett, 2008
47 x 6 cm.
Edition of 45 signed and numbered copies
Produced for Parkett 81, this rolling pin as colour wheel is made of stainless steel with polypropylen
handles, and is enamelled in 7 colours and released with the statement "Take the pastry of concept, roll it out with the colors of the rainbow, and serve it up with a dollop of debate."